Introducing the Olympus OM-D E-M1 Mark II Mirrorless Camera, an advanced system of innovative technology and features designed to forever change your photography. Up to 18 frames per second sequential shooting with precision C-AF Tracking. 121 Cross-Type On-Chip Phase Detection AF points. Up to 5.5 shutter speed steps of compensation with powerful in-body image stabilization. Plus a 50MP High-Res Shot Mode. It’s all enclosed in a magnesium alloy weatherproof body that weighs a mere 600 grams. Paired with the superior resolution of M.Zuiko PRO lenses, the E-M1 Mark II will deliver brilliant imagery that’s coveted by professionals everywhere.
- 20 Megapixel Live MOS Sensor
- Advanced 5-Axis Image Stabilization
- Lightweight, Weatherproof Body
- 15fps Seq. Shooting (Mechanical)
- 60fps Seq. Shooting (Electronic)
- 1/8000s High-Speed Mechanical Shutter
- Cinema 4K Video
- 121-Point Dual FAST AF
- Fully-Articulating 3.0” Touch Monitor
- 50 Megapixel High-Res Shot Mode
- Focus Bracketing and Stacking
- Built-In Wi-Fi
Maximum 18 fps AF/AE tracking sequential shooting
By developing the 20M Live MOS sensor together with the TruePic VIII image processor, framing and sequential shooting of moving subjects using 18-fps AF/AE tracking is made possible while maintaining the high 20M pixel count. With AF/AE tracking high-speed sequential shooting that beats that of DSLRs, it easy to frame fast-moving subjects and capture the precise moment in the finest detail.
Maximum 60 fps AF/AE lock sequential shooting
Development of the new 20M Live MOS sensor together with the TruePic VIII image processor made maximum 60-fps AF/AE lock high-speed sequential shooting possible at a 20M pixel count. Amazing sequential shooting speed beyond that of DSLR cameras lets you capture split-second moments that cannot be seen with the naked eye, in incredible detail.
Pro Capture is a new feature that provides time-lag-free shooting so you can capture the precise, desired moment. The camera begins recording 20M images once the shutter button is half-pressed, and retains up to 14 of the most recent images when the shutter button is full-pressed. By capturing moments just prior to when the shutter is released, Pro Capture makes up for time lag caused by human reflexes and camera processing.
High-speed AF system
A completely new AF system makes it possible to capture fast-moving subjects. With a Dual FAST AF system that uses the 121-point AF area for both On-chip Phase Detection AF and Contrast AF, the E-M1 Mark II delivers dramatic advancements in AF precision, tracking performance, and operability.
121-point All-cross-type On-chip Phase Detection AF
This E-M1 Mark II is equipped with an 11 x 11 121-point All-cross-type sensor. With an AF area that covers 75% vertically and 80% horizontally, subjects can be tracked across a wide range. All 121 points are cross-type focus points, making subject detection very accurate.
New AF algorithm
The new 121-point All-cross-type On-chip Phase Detection sensor and new TruePic VIII image processor significantly improve focus detection performance. The new moving subject tracking algorithm makes it possible to continue tracking various subject changes.
5-level C-AF tracking sensitivity settings
5 levels of C-AF tracking sensitivity are available. Changing the tracking sensitivity to match the subject or scene provides more effective AF tracking performance
This model is equipped with an AF limiter function, which lets you set three AF operating areas. This can reduce AF operating time even on lenses without a focus limiter, helping to focus instantly. It is also possible to instantly turn the function on and off via customised controls.
AF target modes
A 5-point group target has been added for a total of four different AF target modes. You can switch AF Target modes and change the AF Target position with minimum operation. AF Target modes can be displayed and hidden via customised controls. With this you can quickly activate the right mode for your subject.
AF Target mode, AF target position, and Face/Eye Priority can be changed with a single operation. Simply customise settings so you can use your preferred controls.
Moving-subject-tracking cluster display
A cluster display that moves along with the subject makes it easy to confirm that the subject is continuously in focus.
AF Targeting Pad
The AF Targeting Pad allows you to control the position of the AF target by moving your finger across the rear monitor as you keep your eye to the viewfinder. Your nose touching the rear monitor will not affect touch control of the AF target. A double-tap turns the AF Targeting Pad on and off (When AF Targeting Pad is activated from the menu).
This model is equipped with a high-speed viewfinder with a maximum frame rate of 120 fps, and a minimum display time lag of 0.005 sec. for optimal image display. With this display you won't miss capturing the precise moment when shooting fast-moving subjects.
Camera operation speed has been significantly accelerated with release time lag shortened by approximately 70%, and playback frame advance made 3 times faster.
Technology that supports high-speed performance
Compared to its predecessor, the E-M1 Mark II’s image processor is 3.5 times faster, sensor transfer speed is 3 times faster, and buffer memory capacity is 2 times larger. These significant advancements support the new AF system.
|Product type||Micro Four Thirds interchangeable lens system camera|
|Memory||SD, SDHC, SDXC, Eye-Fi Card compatible
1 Slot1: UHS-I, II compatible, Slot2: UHS-I compatible.
2 Not compatible with Endless Memory.
|Sensor size||17.4 mm (H) x 13.0 mm (V)|
|Lens mount||Micro Four Thirds Mount|
|Product type||4/3 Live MOS Sensor|
|Number of pixels / aspect ratio||Number of effective pixels: Approx. 20.4 million pixels Total number of pixels: Approx. 21.8 million pixels Aspect ratio: 1.33 (4:3)|
|Dust reduction||Supersonic Wave Filter (image sensor dust reduction system)|
|Recording format||DCF2.0, Exif2.3|
|File format||RAW (12-bit lossless compression), JPEG, RAW+JPEG|
|Recording image size||[RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels|
|Dual Slot Settings||Standard, Auto Switch, Dual Independent, Dual Same
When two cards are inserted, the card to be saved on to or to be viewed can be designated.
|Folder creation and selection||With|
|Copy||Copy single file, copy multiple files, copy all
When copied, the new file will be given a different name from that of the original file.
|Image Stabilisation System|
|Type||Built-in 5-axis sensor-shift image stabilisation for movie and still photos
yaw / pitch / roll / vertical shift / horizontal shift
|Mode||4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF|
|Live View image stabilisation||Activation by half-pressing shutter button or enlarging the view|
|Focal length setting||11 settings: 10 programmable settings (10 lenses), 1 open setting|
|Lens IS priority||With|
|5 axis Sync IS||With
*When using M.Zuiko Digital lenses equipped with image stabilisation
|Stabilisation performance||5.5 EV
*Based on CIPA measurement conditions. When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length =40mm (35mm equivalent: 80mm))
|Finder type||Eye-level electronic viewfinder, approx. 2.36M dots|
|Field of view / Viewfinder magnification||Approx. 100% / Approx. 1.30x - 1.48x (-1m-1, 50mm lens, Infinity)
1: Finder Style 1, 2 (aspect ratio 4:3)
2: Finder Style 3 (aspect ratio 4:3)
|Eye point / Dioptre adjustment range||Approx. 21 mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1|
|Preview||Live View preview with depth of field preview lock|
|Display Grid||Off / normal grid / trichotomy / golden grid / scale / diagonal / movie grid
grid colour is selectable
|Level Gauge||2-axis (horizontal/vertical) level gauge|
|Finder Style||3 styles|
|Brightness and Colour Temperature Control||Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual colour temperature control|
|S-OVF (Simulated OVF)||Expands the Live View dynamic range
Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
|Eye Cup||Optional eyecup EP-13 is available.|
|Live View||Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3 / x5 / x7 / x10 / x14), Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)|
|Preview||Preview with depth of field preview lock|
|Live View Boost||Live View Boost 1 , Live View Boost 2 (slow frame rate for dark areas)
Settings can be assigned for each shooting mode
Exposure compensation will not be applied
|Monitor type||3.0-inch vari-angle monitor
Approx. 1037k dots (3:2), electrostatic capacitance touch panel
|Touch control||Shutter release, magnification, AF area selection, AF area size adjustment, AF target pad, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Wi-Fi connection, movie controls, movie effects, movie teleconverter , selfie controls (shutter release, e-Portrait, custom self timer)|
|Tilting capability||With (mirror display when monitor is in self portrait position)|
|Brightness / Colour temperature control||±7 levels / ±7 levels|
|Colour tone select||Vivid / Natural|
|AF system||High-speed imager AF: Imager phase detection AF and imager contrast AF (active AF automatically selected by camera; when a Micro Four Thirds lens is attached, imager phase detection AF is always selected)|
|Focusing point||121-point cross-type phase detection AF and 121-point contrast AF|
|Focusing point selection mode||All target, group target (9-area or 5-area), single target|
|Focus mode||Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) / Preset MF[*]
Distance setting values are rough estimates and not compatible lens except the AF lens.
|AF performance||C-AF lock (5 steps), AF scanner (3 types)|
|AF limiter||With (Fn button can be assigned to On/Off; can save 3 settings)
Distance setting values are rough estimates.
|AF targeting pad||With (activate / deactivate with double tap on rear monitor)|
|Magnified frame AF||
Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800.
|Super spot AF||3x , 5x , 7x , 10x , 14x
Available only when a Micro Four Thirds lens is attached.
|Face detection AF / Eye detection AF||With (Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority)|
|Manual focus assist||Focus ring rotation activates Live View image magnification and / or focus peaking when in S-AF+MF or MF mode|
|Peaking function||Activate with Fn button or focus ring Change peaking settings using the Info button Colour selection: white, black, red, yellow Intensity selection: high, normal, low Back light effect: on, off|
|AF Focus Adj.||Adjust all, adjust by lens (for Phase detection AF only)|
|Exposure Control (Still)|
|Metering system (TTL Image sensor metering)||Digital ESP metering (324-area multi pattern metering), centre-weighted average metering, spot metering[*], spot metering with highlight control, spot metering with shadow control
Also available AF target spot metering
|Metering range||EV- 2 - 20 (using 17 mm f/2.8, ISO 100)|
|Exposure mode / Shooting mode||iAuto (Live Guide can be used), P: program AE (programme shift can be performed), A: aperture priority AE, S: Shutter priority AE, M: Manual (Live Bulb, Live Time and Live Composite are available), Custom 1～3, Art Filter, Underwater wide / Underwater macro (to be assigned to the Fn1 button)|
|Live Guide||Saturation, Colour, Brightness, Background Blur, Expressing Motion, Shooting Tips
Multiple effects can be used simultaneously.
|ISO sensitivity||AUTO ISO (default) : LOW (approx. 64) ‐ 6400 with customizable upper limit (200 - 6400) Manual ISO : LOW (approx. 64), 200 - 25600 (adjustable in 1/3 or 1 EV steps)|
|Exposure compensation||±5 EV, adjustable by 1/3, 1/2 or 1 EV steps When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps|
|AE lock||Locks with a half-press of the shutter button, AEL / AFL button (can be set to Fn button as well)|
|Shutter type||[Electronic first curtain shutter (Anti-shock mode)] 1/320 - 60 sec. [Electronic shutter (Silent mode)] 1/32000 - 60 sec.|
|Sequential shooting maximum speed||[Sequential shooting H] approx. 15 fps with selectable 10-15 fps [Sequential shooting L] approx. 10 fps with selectable 1-10 fps [Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps [Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps [Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps [Pro Capture H] approx. 60 fps with selectable 15, 20, 30, 60 fps [Pro Capture L] approx. 18 fps with selectable 1-10, 15, 18 fps
*When using the M.Zuiko Digital ED 12-40mm f/2.8 PRO
*Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting.
*When in Pro Capture mode, slower shutter speeds and flash cannot be used.
*Pro Capture Mode is available only when an Olympus M.Zuiko Digital lens is attached.
*In Pro Capture Sequential L, the minimum aperture is f/8.
*When ISO is 8000 or above, the maximum sequential shooting speed is 30 fps, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above.
*Focus and exposure are fixed at the values of the first shot when using sequential shooting H.
*Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps.
|Sequential shooting frame count||1- 99 frames|
For Pro Capture mode
|Number of frames recorded prior to full-press of the shutter button can be set from 0 to 14 frames.|
|Sequential shooting maximum recordable frames||[Sequential shooting H 15fps] RAW: Max. 84 frames, JPEG (LN): Max. 117 frames
[Sequential shooting L 10fps] RAW: Max. 148 frames, JPEG (LN): Until card is full
[Silent sequential shooting H 60fps] RAW: Max. 48 frames, JPEG (LN): Max. 48 frames
[Silent sequential shooting L 18fps] RAW: Max. 77 frames, JPEG (LN): Max. 105 frames
*When using the M.Zuiko Digital ED 12-40mm f/2.8 PRO and the Toshiba SDXU-B032G memory card with standard card setting in slot 1.
|Self-timer||Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5 / 1 / 2 / 3sec., Number of shots: 1-10, Every time AF: ON/OFF)|
|Flash intensity control method||TTL Auto, Auto[*], Manual, Super FP[*] (FP-TTL AUTO, FP-MANUAL)
Available on the external flash
|Bundled standard flash||FL-LM3 (dustproof and splashproof flash)
GN = 9.1 (ISO100・m) / GN = 12.9 (ISO200・m)
Bounce Capability (up and down: 45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree)
Powered by the camera
|Flash mode||Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64)|
|Synchronisation speed||1/250 sec.
When using Super FP: 1/125-1/8000 sec.
When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
|Flash intensity control||Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable|
|Compatible external flash||FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8|
|Wireless Flash Control|
|Compatible external flash||FL-50R, FL-36R, FL-300R, FL-600R, FL-900R|
|Control method||Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R, STF-8|
|External Flash intensity type||TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL|
|Group No.||4 groups (External flash 3 groups + commander flash)|
|White balance mode||Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)|
|White balance compensation||±7 steps along A-B / G-M axis (Except for Custom WB)|
|Colour matrix||sRGB, Adobe RGB|
|Mode||i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Colour Creator, Art Filters|
|Gradation||Auto, Normal, High Key, Low Key [except when using i-Enhance, Underwater, Art Filters, Color Creator]|
|Hilight and shadow control||±7 steps each for highlight, shadow, midtone|
|Art Filter (Variation / Art Effect)||Pop Art (I, II / a.b.c.d.e.f) Soft Focus ( - / c.e) Pale & Light Colour (I, II / a.b.c.d.f) Light Tone ( - / d.f) Grainy Film (I, II / b.c.d.g.h) Pin Hole (I, II, III / d) Diorama ( I,II / d) Cross Process (I, II / b.c.d.f) Gentle Sepia ( - / a.b.c.d.f) Dramatic Tone (I / b.c.d.e.f) (II / b.c.d.e.f.g.h) Key Line (I, II / a.b.c.d.e) WaterColour (I, II / a.b.c.d) Vintage (I, II, III / a.b.c.d.e.f.i) Partial Colour (I, II, III / a.b.c.d.e.f)|
|Detail of Art Effect||a. Soft Focus Effect b. Pin-Hole Effect c. White Edge Effect d. Frame Effect e. Star Light Effect f. Blur Effect (Top & bottom, Left & Right) g. B&W Effect (None, Yellow, Orange, Red, Green) h. Pict. Tone (None, Sepia, Blue, Purple, Green) i. Shade Effect (Top & bottom, Left & Right)|
|Colour Ring (for partial color)||18 colour selectable|
|Colour Creator||Colour pattern : 30 colours / Saturation setting -4 ~ +3|
|Exposure bracketing||2, 3 or 5 frames in 0.3 / 0.7 / 1.0 EV steps selectable, 7 frames in 0.3 / 0.7EV steps selectable|
|ISO bracketing||3 frames in 0.3 / 0.7 / 1.0 EV steps selectable|
|White balance bracketing||3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.|
|Flash bracketing||3 frames in 0.3 / 0.7 / 1.0 EV step selectable|
|Art Filter bracketing||i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Colour Creator selectable|
|Focus bracketing||3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)|
|Focus stacking||8 shots are taken at different focus points and automatically composited together into a single image
Angle of view becomes slightly smaller
Compatible with :
M.Zuiko Digital ED 60mm f/2.8 Macro
M.Zuiko Digital ED 12-40mm f/2.8 PRO
M.Zuiko Digital ED 40-150mm f/2.8 PRO
M.Zuiko Digital ED 30mm f/3.5 Macro
M.Zuiko Digital ED 7-14mm f/2.8 PRO
M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
M.Zuiko Digital ED 300mm f/4.0 IS PRO
|HDR(Auto composite)||HDR1, HDR2 (painting-like)
ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
Exposure compensation can be performed.
|Bracketing for HDR post process||3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps
This sequential shooting H AE bracketing is specifically for shooting images that will be HDR-processed on a PC.
|Keystone Compensation||With (can be confirmed in Live View)
Horizontal and vertical compensation can be performed simultaneously.
|High Res Shot|
|Resolution||Equivalent to 50 megapixels / 25 megapixels (8 shots combined into a single JPEG using sensor shift)
Available in P/A/S/M mode, RAW+JPEG or JPEG.
JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 10368 x 7776
RAW data can be developed in-camera. Development by PC is possible with Olympus Viewer 3 ver. 2.0
|Shutter Type||Electronic shutter|
|Shutter Speed||1/8000 - 60 sec.|
|Shutter start delay||0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30sec.|
|Charge Time||0, 1, 2, 4, 8, 15, 30sec.|
|Shutter Type||Electronic first curtain shutter|
For speeds over 1/320 sec., mechanical shutter will automatically be selected.
|Shutter start delay||0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30 sec.|
|Shutter Type||Electronic shutter|
|Shutter Speed||1/32000 - 60 sec.|
|Shutter start delay||0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30 sec.|
|Silent Mode Settings||Settings for sound, AF illuminator, and flash can be customised (default setting is Off for all three)|
|Live Bulb /. Live Time|
|Update interval time||0.5 sec. - 60 sec.|
|Update interval time / composite method||0.5 sec. - 60 sec. / Lighten Mode (Bright area prioritisation)|
|Interval Mode||Interval Time 1 sec. - 24 hours, Max 999 frames Automatic creation of time-lapse movies possible|
|Number of picture / Function||2 frames / auto gain adjustment, exposure on recorded picture (RAW)|
|Aspect Ratio||4:3 (Default) / 3:2 / 16:9 / 1:1 / 3:4|
|One push Tele-converter|
|Recording format||MOV(MPEG-4AVC/H.264), AVI(Motion JPEG)|
|Mode / frame rate / compression method||[MOV] 4096 x 2160 (C4K) / 24p / IPB (approx. 237 Mbps) 3840 x 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps) 1920x1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) 1920x1080 (FHD) / 60p, 50p / IPB (SF, F, N) 1280x720(HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) 60p: 59.94 fps, 50p: 50.00 fps, 30p : 29.97 fps, 25p : 25.00 fps, 24p: 23.98 fps, C4K 24.00 fps FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps), FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx. 30 Mbps, N: Normal / approx. 18 Mbps) HD ALL-I (A-I: ALL-Intra / approx. 102 Mbps), HD IPB(SF : SuperFine / approx.26Mbps, F:Fine / approx.14Mbps, N : Normal / approx.10Mbps) [AVI] HD (1280x720) / 30p
Frame rates may drop when particular Art Filters and Movie Effects are used.
Speed Class 10 SD card is recommended for shooting movies.
UHS-II or UHS-I Speed Class 3 card is recommended for 4K, C4K, ALL-I shooting.
|Maximum recording time||[MOV] Approx. 29min [AVI] HD: Approx. 7min[*]
Excluding when particular Art Filters are used
|Art Filter Movie||With (Frame rates may drop when certain Art Filters are used)|
|Movie Effect||One-shot Echo / Multi-echo / Art Fade / Old Film|
|One-push Movie Digital Converter||Approx. 3x (enlarges view of touched area)|
|Time Lapse Movie||[AVI ] 3840 x 2160 (4K) / 5 fps 1920 x 1080 (FHD) / 5 fps, 10 fps, 15 fps 1280 x 720 (HD) / 5 fps, 10 fps, 15 fps, 30 fps|
|Clips||1, 2, 4, 8 sec. (Further continued shooting possible up to 16 seconds by pressing movie record button again)|
|Quick Movie / Slow Movie||With (this function is not available for videos with certain frame rates)|
|Image Stabilization for Movie||M-IS1 (Image sensor shift and electronic image stabilizer with multi motion IS),
M-IS2 (Image sensor shift with multi motion IS), Off
While using M-IS1, field of view may be affected.
|Grid Line / Focus Peaking||4 types of grid lines / 4 colours for focus peaking|
|Time code||Rec run/free run, drop frame/non-drop frame|
|Live View Output via HDMI||Monitor Mode (outputs video and info display to a connected monitor) Record Mode (outputs video only, with no info display)
1 Info display is not shown on the camera while recording. Footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged). However, the image cannot be enlarged on the camera when a movie is being recorded.
2 Movie quality is set to YCbCr 4:2:2, frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded.
|Movie Picture Mode||Flat|
|Exposure Control||Programme AE, aperture priority AE, shutter priority AE, manual|
|Recording format||Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)|
|Microphone / Speaker||Built-in stereo microphone / built-in mono speaker
External stereo microphone can be attached
|Microphone function||Wind noise reduction, recording volume, microphone volume limiter, Audio dubbing possible for still pictures (up to 30 sec.)
May affect audio quality.
|IC recorder linkage||Slate Tone / Synchronised Audio Rec-Movie Rec
|GPS info. Function||Via smartphone GPS data|
|Wireless Shooting||Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off
iAuto / ART / P / A / S / M (Live Bulb, Live Time, Live Composite) and drive mode can be selected.
Aperture, shutter speed, exposure, ISO sensitivity, white balance can be adjusted.
When in private connection
|Image Share||File Type: JPEG, MOV Connect to up to 4 devices simultaneously. Marking function for image share.|
|Easy Connection||QR code setting|
|Tethered shooting||Via USB cable (camera can be operated by both PC or camera controls)|
|Playback mode||Single-frame, information display, index display (4/9/25/100 frames), Clips, calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), slideshow (with sound including BGM, Slide show effects, replaceable BGM), Light Box display|
|Information display||Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF|
|Movie Editing function||Trimming (beginning / end) / in-movie image extraction (4K only)
MOV format only
|Editing function||RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording|
|RAW data edit||RAW data edit based on settings of the camera (including e-Portrait, Color Creator, Art Filter, ART-BKT). 2 programmable settings, preview capability.|
|Print function||Print reservation (DPOF), Direct print (PictBridge compatible)|
|Languages||34 languages selectable : - English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai|
|Mode dial my set||Modes C1, C2, and C3 can be accessed by mode dial|
|Menu my set||Modes C1, C2, and C3 can be accessed via the menu|
|Dial customization||Dial function and dial direction are customizable for both dials|
|Lever Customization||Select assignment from 3 different modes, power switch, or off (no function assignment)|
|Button Customization||Buttons can be customized (select from 35 functions)
Buttons on lenses and HLD-9 power batter holder can also be customized from the camera
Some buttons may have restrictions to what functions can be assigned
|Copyright Settings/Lens info Settings||With / With (save up to 10 lenses)|
|Input / Output|
|Remote controller connector||φ2.5Pin Jack (when using separately available RM-CB2)|
|HDMI connector||Micro HDMI (type D)|
|Flash attachment||Hot shoe, sync terminal|
|Wireless LAN||Built-in (IEEE 802.11b/g/n)|
|Microphone input jack||φ3.5 stereo mini jack (plug-in power on/off)|
|Headphone connector||φ3.5 stereo mini jack|
|PC interface||Super Speed (USB3.0)|
|Battery||BLH-1 Li-ion battery (included)|
|Battery status display||Remaining power (4 steps, %, or by-minute display), shot count, degradation|
|Power Battery Holder||HLD-9 power battery holder is separately available (holds one BLH-1 battery).|
|AC Adapter||AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).|
|Sleep mode||With (1 / 3 / 5 min. off)|
|Number of recordable images||Approx. 440 shots (using BLH-1 and Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards) Approx. 950 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards)|
|Battery life for movie recording||Approx. 90 minutes (under standard JEITA testing)
Approx. 150 minutes (when zoom and other operational functions are not used)
*When repeatedly recording at the maximum time of 29 minutes
|Dimensions / Weight|
|Dimensions||W: 134.1 mm, H: 90.9 mm, D: 68.9 mm (based on CIPA standards: excludes protrusions)|
|Weight||Approx. 574 g (with BLH-1 battery and Memory card, based on CIPA standards) Approx. 498 g (body only)|
|Temperature||-10℃ ~ +40℃ (when in operation) / -20 ~ +60℃ (when stored)|
|Humidity||30 - 90% (when in operation) / 10 - 90% (when stored)|
- Olympus OM-D E-M1 Mark II Body
- USB cable
- Cable clip
- Shoulder strap
- Instruction manual
- Warranty card
- FL-LM3 flash
- BLH-1 Li-ion battery
- BCH-1 rapid Li-ion battery charger